1) Rhizome: “to take root”, organic movement, “a circulation of states”, multiplicity, variation, and expansion, spreads through a culture and nation, radiates outward, not to be confused with the structure/movment of a tree 2) Appropriation: ownership of something, cultural identity. Example: Zehava Ben’s feeling of ownership of Umm Khaltoum’s music 3) Soundscape a) Sound: music, atmosphere, noise, meaning- linguistic, vibration in the molecules in the atmosphere b) Setting: history, context, location, culture, can be complicated, time frame, demographics. c) Significance: authenticity, questionalblity over origin , degree of originality, 4) Disputed Territory: geography/geo-political, gender/race/sexual identity; wherever there is a struggle between two opposing forces. How does the struggle give music it’s meaning. 5) Authenticity: questionability over origin, degree of originality; susceptible to imitation or dispute. Who has the right to perform the music or to enjoy it. Nominal- what can the music/sound be called? 6) Harmonics: physics of sound, the science of music, vibrational frequencies that result in standing waves (or, commonly known as different notes ☺) 7) Ethnomusicology: the study of music that takes into account cultural and ethnic backgrounds including genre, sound, historical context, ect. 8) Ethnoscape: the shifting of roots, or people; examples: tourists, immigrants, refugees, exiles, guest workers, and other moving groups 9) Ethnography: a narrative about a certain culture or ethnicity, especially with regards to history and music including current events 10) Auto-ethnography: an ethnography written by one’s self regarding a personal ethnography; direct part of a soundscape; attempting to observe own soundscape
Test.
ReplyDeleteHooray I can finally interact on this blog.
ReplyDelete1) Rhizome
ReplyDelete2) Appropriation
3) Soundscape
a) Sound
b) Setting
c) Significance
4) Disputed Territory
5) Authenticity
6) Harmonics
7) Ethnomusicology
8) Ethnoscape
9) Ethnography
10) Auto-ethnography
11) Identity
12) Culture
13) Boundaries
14) Migration
15) Adaptation
16) Deterritorialization
17) Global
18) Local
19) Incorporation/Fusion/Hybrid/Mix/Blend
20) Tradition vs. Transformation
21) Techno-scape
22) Idea-scape
23) Finance-scape
24) Media-scape
25) Geo-politics
26) Globalization
27) Localization
28) Revival
29) Translocalism
30) Personalization
1) Rhizome: “to take root”, organic movement, “a circulation of states”, multiplicity, variation, and expansion, spreads through a culture and nation, radiates outward, not to be confused with the structure/movment of a tree
ReplyDelete2) Appropriation: ownership of something, cultural identity. Example: Zehava Ben’s feeling of ownership of Umm Khaltoum’s music
3) Soundscape
a) Sound: music, atmosphere, noise, meaning- linguistic, vibration in the molecules in the atmosphere
b) Setting: history, context, location, culture, can be complicated, time frame, demographics.
c) Significance: authenticity, questionalblity over origin , degree of originality,
4) Disputed Territory: geography/geo-political, gender/race/sexual identity; wherever there is a struggle between two opposing forces. How does the struggle give music it’s meaning.
5) Authenticity: questionability over origin, degree of originality; susceptible to imitation or dispute. Who has the right to perform the music or to enjoy it. Nominal- what can the music/sound be called?
6) Harmonics: physics of sound, the science of music, vibrational frequencies that result in standing waves (or, commonly known as different notes ☺)
7) Ethnomusicology: the study of music that takes into account cultural and ethnic backgrounds including genre, sound, historical context, ect.
8) Ethnoscape: the shifting of roots, or people; examples: tourists, immigrants, refugees, exiles, guest workers, and other moving groups
9) Ethnography: a narrative about a certain culture or ethnicity, especially with regards to history and music including current events
10) Auto-ethnography: an ethnography written by one’s self regarding a personal ethnography; direct part of a soundscape; attempting to observe own soundscape